Classical Dance
Bharatanatyam
The mother of all classical Indian dance forms, originating from the sacred temples of Tamil Nadu. A complete spiritual, aesthetic and physical discipline rooted in Natyashastra.
A structured journey from foundational adavus to certified stage performances.
Our systematic training program guides students through distinct learning levels, combining physical discipline, emotional expression, and theoretical knowledge.
Focused on developing physical posture, stamp clarity, limb alignment, and fundamental coordinate movements. It builds strength, flexibility, and basic spatial awareness.
Foundational adavus including Tatta Adavu (tapping), Natta Adavu (stretching), Visharu Adavu, and Kuditta Mettu (jumping).
Complete memorisation and practice of 28 Asamyuta Hastas (single-hand) and 24 Samyuta Hastas (double-hand) from Abhinaya Darpana.
Mastering Araimandi (half-sitting posture), Muzhumandi (full-sitting), and maintaining straight spine alignment during transitions.
Introduction to Carnatic rhythm cycles, vocalising and dancing to Adi Tala (8 beats) and Rupaka Tala (3 beats).
Introducing complex step combinations, initial expression elements, and solo repertoire items. Focuses on coordinate execution of body lines and hand gestures.
Learning advanced adavus: Sarikal Adavu, Jati Adavu, Mandi Adavu, and Kathi Adavu, executing them across three speeds (speeds scale).
Sanskrit shlokas and implementation of Shiro Bheda (head), Drishti Bheda (eye gaze), and Griva Bheda (neck movements).
Beginning of the classical Margam performance order, training in Alarippu (Tisra/Caturasra) and devotional Kautuvam items.
Recitation of rhythmic syllable structures (Solkattu) with hand-claps while simultaneously maintaining steady tempo.
Complete study of Margam items, advanced abhinaya, and stage presence. Prepares students for official certifications, solo arangetrams, and teaching pathways.
Comprehensive training in Jatiswaram, Shabdam, Varnam (complex combination of nritta and abhinaya), Padams, and Tillanas.
Advanced abhinaya exploring the nine central emotions (Shringara, Veera, Karuna, Adbhuta, Hasya, Bhayanaka, Bibhatsa, Raudra, Shanta).
Practical dance composition, study of historical texts like Natyashastra and Abhinaya Darpana, and stage setup concepts.
Rigorous preparations for Gandharva Mahavidyalaya or board examinations, including comprehensive theory, oral viva, and practical assessments.
While Shree Paavitra Arts Academy is anchored in Bharatanatyam, we provide dedicated teachers and structured training pathways for all classical disciplines.
Classical Dance
The mother of all classical Indian dance forms, originating from the sacred temples of Tamil Nadu. A complete spiritual, aesthetic and physical discipline rooted in Natyashastra.
Classical Dance
Born in the courts of the Mughals and the temples of North India, Kathak blends the rhythm of footwork (tatkar) with expressive storytelling (abhinaya) in a stunning union of power and grace.
Music
Hindustani and Carnatic vocal traditions, taught through rigorous riyaz and an understanding of raga, tala and bhava. From sur-sadhana to concert-level performance — a complete vocal journey.
Instrumental
Harmonium, Tabla, Sitar and Keyboard — our instrumental curriculum is designed for both the serious student and the cultural enthusiast. Structured practical training with certified examination pathways.
Our academy maintains a register of highly qualified classical vocalists, instrumentalists, and Kathak choreographers available for private mentoring, institution tie-ups, or custom workshop schedules.
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